The main purpose of the new Disney+ show is to act as a bridge between one Star Wars series and the next. For the streaming service, that’s all it needs to be.

As the streaming wars intensify, the tech giant increasingly resembles the hidebound movie studios it once aimed to “disrupt.”

The resort’s real magic lies in the powers it’s afforded by a special district.

In his latest bid for attention, the Missouri senator has written a stunt bill attacking the House of Mouse’s valuable copyrights.

Disney’s decision to oppose Florida’s “don’t say gay” law is all about appealing to consumers. Conservatives just can’t handle the fact that their political ideology is toxic in the American marketplace.

The firm donated generously to Florida Republicans and got $578 million in tax breaks in return for its investment.

Orlando, Florida, has become the epicenter of America’s housing crisis

The new LeBron James–Looney Tunes crossover movie isn’t just bad. It’s a harbinger of worse to come.

The conservative gadfly’s new film studio is a bid to monetize the battle against cancel culture.

The pandemic has only accelerated a years-long trend of cultural homogenization—and it is bound to get worse.

The cosmic delusions of Elon Musk and Wernher von Braun

The streaming business is booming. But the industry’s working stiffs say their lives are only getting more precarious.

The streaming service desperately wants to win a Best Picture Oscar. But its foray into costly, artistic films is about more than just respect.

The streaming service is producing more content than ever. The problem is that a lot of it is mediocre.

An interview with Ben Fritz, whose “The Big Picture” explores the way the franchise model and streaming services have disrupted the film industry.

The acquisition of Fox will bring Marvel Comics movies under one roof, further stifling diversity and creativity in Hollywood films.

The reboot of the Disney animated classic is faithful to a fault.

This Disney remake is better than it ought to be—but should it even have been made in the first place?

Even this ordinary sequel from Pixar is more enjoyable than most all-ages movies on offer.

Gritty realism meets a cuddly Disney classic in Jon Favreau’s reboot.